[vc_row css=”.vc_custom_1593756937790{padding-top: 80px !important;padding-bottom: 80px !important;}”][vc_column width=”1/2″][vc_column_text]

Case Study:

oXyFire Media Creative live streams festival

oXyFire Media Creative is a UK-based television and corporate production company delivering compelling visual stories for household names, including IKEA, British Airways, ITV and Sky, and many others across the UK and Europe. These companies come to oXyFire when they need to get their content out to the masses.

With expertise in live TV and video production, oXyFire has a deep bench of talent. The agency also has extensive experience across a wide range of sectors, including sports, entertainment, news, communications, digital and marketing.[/vc_column_text][/vc_column][vc_column width=”1/2″][dt_fancy_image image_id=”4371″ width=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1593756949755{padding-top: 40px !important;padding-bottom: 40px !important;}” bg_color_value=”#adadad”][vc_column width=”1/2″][dt_fancy_image image_id=”4338″ width=”600″ align=”left” css=”.vc_custom_1593757344053{padding-bottom: 20px !important;}”][/vc_column][vc_column width=”1/2″][vc_column_text]

Jay Rozanski, Producer and Director, oXyFire

Globally recognised brands rely on Jay Rozanski’s many years of live production experience to tell visual stories on the small screen, via broadcast and live streaming.

As a producer, Jay knows all the technical requirements of video production from storyboarding to video and audio editing, motion graphics design and build, pre-production and post-production. He keeps up with the latest technology and knows what audiences need and expect to be fully engaged.

Clients love Jay because he’s a great team player, organised, versatile and has the drive to get the job done to exacting standards.

[/vc_column_text][/vc_column][/vc_row][vc_row css=”.vc_custom_1593758356871{padding-top: 80px !important;}”][vc_column width=”1/2″][vc_column_text]

The Situation

 

One of oXyFire’s clients is Manchester International Festival (MIF), renowned for its live biennial festival showcasing original new works from world-renowned artists across art forms from live music to dance, theatre and visual arts.

MIF has increasingly been presenting events outside of the festival year, paving the way for the opening of The Factory – the world-class arts space being built in Manchester that will be their future home.

As part of their response to the COVID-19 crisis, MIF decided to present an online program of activity for audiences at home during lockdown. They reached out to oXyFire to help them live stream a number of mixed artworks drawn from the MIF archives, as well as talks and new commissions by Greater Manchester artists.

It was important to make sure the performances were high-quality and accessible to everyone.[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]

The Solution

 

oXyFire knew the livestreaming needed to be technically excellent to reflect the festival’s reputation for quality and innovation, and the creative agency had the in-house expertise to create a perfect live stream. oXyFire recommended that MIF leverage Skype TX with Ai-Media’s captioning expertise, as well as satellite and the required infrastructure.

“Today, all content should be globally accessible to reach the broadest possible audience, and that means captions should be a part of any video experience,” Jay said.

“Live streams are technically demanding, and captioning, especially live stream captions, has its own unique technicalities that require expertise. I was glad to find Ai-Media, because I hold my team and my work to the highest standards for our clients, and I needed to work with captioning experts who have the same high standards, which is what I found with Ai-Media.”[/vc_column_text][/vc_column][/vc_row][vc_row css=”.vc_custom_1593759419745{padding-top: 50px !important;}”][vc_column][vc_column_text]

The Result

 

From oXyFire’s initial outreach to Ai-Media, the first captioned MIF livestream on YouTube was two business days. And every week for seven weeks, Ai-Media captioned three live performances each week.

 

Ai-Media’s Work, by the Numbers

• 19.25 hours of live captioned video

• 18 events captioned

• 85,730 words captioned

 

The global explosion of online content means that the standards and expectations from audiences for visual content keep going up. Audiences now expect to have a lot of control over how they view content.

oXyFire and Ai-Media’s partnership put the high-quality polish on the MIF live streams that viewers expect.

“oXyFire and their team were instrumental in bringing MIF LIVE to life,” said Kiah Simpson, Content Producer at MIF. “With their support, we were able to continue our work with local artists, stay engaged with our community and bring much-loved shows from our archives to audiences at home.”

“Working with the Ai-Media team was very easy,” said Jay, “from conveying what my client needs to technical set-up to final product. My client is very happy. They reached many new audiences as well as staying engaged with their very loyal fanbase.”

“We will work with Ai-Media again very, very soon,” he said.

 

Ai-Media can support you with our high-quality live captions and other accessibility and engagement services. Visit our website for more information, or contact our friendly team any time.

[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” bg_type=”bg_color” bg_color_value=”#c72230″ css=”.vc_custom_1593758888445{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_column width=”2/3″][vc_column_text]

Why Captions Are Critical

Captions engage and broaden audiences in many ways, which is why oXyFire Media reached out to Ai-Media to provide captions for MIF.

Because they offer an alternative, text-based way to consume video and live streamed content, captions enable deaf and hard-of-hearing people to enjoy video. The World Health Organization estimates that there are approximately 466 million people worldwide with significant hearing loss. So, by providing MIF’s streams with captions, the deaf and hard-of-hearing audience gets to enjoy the festival, which would otherwise be inaccessible to them.

Secondly, captions support people watching video content that is not in their native language. Or if a performer is performing in a non-native language, captions add extra clarity for the audiences, so no one misses a word.

And finally, in a world where everyone is stuck at home, it can be hard to control the noises a viewer has in their own environment. Captions provide reinforcement and flexibility, so no word is lost in uncontrolled environments.

To find out more about Ai-Media’s captioning and other services, visit the Ai-Media website.

[/vc_column_text][/vc_column][vc_column width=”1/3″][dt_fancy_image image_id=”4372″ onclick=”custom_link” image_link=”https://www.ai-media.tv/wp-content/uploads/2020/07/Case-Study-oXyFire-2.pdf”][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]

Share:

Share on facebook
Facebook
Share on twitter
Twitter
Share on pinterest
Pinterest
Share on linkedin
LinkedIn

Social Media

Most Popular

Get The Latest Updates

LIKE THIS BLOG? SIGN UP!

Fill out the form below to receive new content from us in our regular newsletter.

Related Posts

Two opera singers dressed up in old-fashioned costumes posing. A statue is in the background and a colourful sky.

Surtitling the Opera

Surtitling allows those who don’t speak the original language of the opera — to which most productions stay faithful — to follow the singing, and provides additional access for those in the audience who want to be able to follow along.

Read More »
Coloured lines as if reception is bad on a television. Captions at the bottom of the screen read 'Thanks Ryan, Can you please send that through by close of business?'

Slow Internet? Use Captions

When your connection is wreaking havoc with your video and audio, captions are a welcome support, allowing users to follow along by reading text on the screen instead of relying only on audio.

Read More »